Dadaist Women
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The abrupt lives by war in first half of the century left the forms and the prospects for art independent of terrestrial topographies. The artists on the edge worked of the interior outside, choosing among nature only what expressed their personal visions. With the difference of Cubism and Expressionism, Hobby-horse and Surrealism had to more make with -- particularly subconcious -- mental processes and a philosophy of irrational that with a model or a specific technique.
In the case of Hobby-horse -- a movement whose name was supposedly composed of random nonsense divided -- artists and authors uprooted by world war I dispersed the movement at the cities in the whole of Europe and towards New York. In a kind of meter-Futurologist in manner, their manifestoes nihilistic and other writings protested the war, industrialization, and other offences of dehumanization of the modern life. Creations of multi-media of Hobby-horse were chaotic, absurd, and full with humour, and they took the forms of executions, the "readymades" or found objects, machines individual-détruisantes, and mystifying abstractions.
In politically charged Berlin, Hannah Höch (1879-1978) again ordered reality in radical photomontages, a medium in which it and his/her companion, Raoul Hausmann, are allotted to invent. Höch extracted a rich range from the sources of impression to find the ingredients for its provocative fusions of the photographic images -- one of its first of such pieces, crossed with the kitchen knife (1919-20), illustrates the process of the new form of art. To do the work, whose title refers menacingly with the traditional kingdom of the women, it cut fragments of the texts and photograph, by using a technique of joining to work the fantastic compositions who comment on wryly on the experiment of the life in Weimar Berlin following the combined areas She of I of world war of painting with photographic images of material, buildings, heads disconnected and body, and figures in the movement in and around the images of the modern life, including the modern machines of the war. The texts of "hobby-horse" of circuit breaker weave behind and dispatch it among the images. The comic contacts such as interpreters of circus mark his model. Höch remained in Germany by the era and the world war II of Nazi, at the cost to abstain from mainly with the political reports/ratios.
